视频简介
描写了花市的反贪局侦察处处长冯勇刚直不阿，敢于和社会上恶势力作斗争，使他成为花市的英雄人物。可是，某日收到一封告密信，几乎使冯勇一世英名扫地。几经周折，冯勇终于和告密者晤面，岂料告密人正是他昔日的恋人白雪。当年冯勇和白雪倾心相爱，由于白雪的密友容秀芬从中作梗，以至两人分道扬镳。岂知，10年后两人却在这样的环境中重逢。 在多方调查中，案情终于云开雾散，主谋人物是深海贸易公司的总经理汤晓德，这使得冯勇陷进了纠缠不清的人情关系中，更和前嫌冰释的恋人白雪一起遭汤晓德陷害。 检察长肖雄力排众议，甚至顶住华市长的压力，让冯勇全心查案，并和白雪在一次行动中为了救他，设计令汤晓德跌入圈套。汤晓德愤而欲与白雪同归于尽，被突然出现的隐名埋姓，为检查院提供线索的“路不平”及时阻止。原来，“路不平”正是汤晓德最信任的舒玲。舒玲虽然深爱着他，但为了不让自己的心上人走火入魔，故...。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。
